![]() ![]() You can also use the Dimished scale for Arabic sounding music, but the Arabic (major locrian), is far more commonly used for this sound. It's one of a few scales that are usually used to get this type of sound, and its real name is: Major Locrian. The Arabic scale is commonly used in Arabic music, hence the name – Arabic scale. Here are the 10 most useful exotic piano scales, in C. Exotic Piano Scales Chart (Free Download)Įxotic Piano Scales Cheat Sheet (Free Download).Exotic Piano Scales Cheat Sheet (Free Download). ![]() We'll post any comment, quotes throughout the site and you can help spread the word. We always like to know how we are and you are doing. Want to drop & Learning Ukulele with Curt a nice comment. I can highly recommend Curt's Uke books - I have four of them and they are excellent. This guy knows his stuff and is able to pass it along too. Thank you so much for taking the time to write such great books! - Peter RheeĪloha, Curt, All I can say is WOW! What you have accomplished is simply incredible! All the best - Glen Hirabayashi, The Aloha Boysįolks, if you haven't stopped by Curt's site, do so right now!. I just might end up buying every book you've written and I'll be giving my highest recommendation for your books to my friends and students. Just browsing over both books, they look fantastic! I'm a guitarist and uke player for over 25 years and was thinking about writing a ukulele book but you've already written what I think are the best, most comprehensive and thorough books I've ever seen for the instrument. 7th (pronounced Seventh)Ī partial seventh chord can be created by lowering the Root of a major triad two frets.Ī seventh chord as a 4-part chord ( 1 3 5 b7 ) and one of the Big Six core chords used to derive other contemporary and jazz chords.Ī Seventh chord along with your basic major and minor chords are the msot common chord you will encounter. The individual names of the notes of the chord can also be determined from the same scale.īased on the root ( B) of the chord. Chord Construction, Notes and IntervalsĪLL chords can be be constructed based on the their intervals relative to the major scale of the root or letter name of the chord. He is unseen, doesn't get any lines BUT is a critical member of the team. Remember – the thumb's primary role is to support the fingers – not play notes. Finger three can overlap finger four and finger two can overlap finger three a little allowing them to get closer to the fret. This can help in determining what finger to use. Less effort leads to overall efficiency in play, lower maintenance for maintaining your technique and efficiency leads to speed. Something as simple as longer fingers can reach the lower string four and three goes a long way to being efficient when switching chords.įactors such as playing notes right behind the fret takes less effort than in the middle of the fret. If there isn't an overwhelming musical reason for one fingering over another, let efficiency be the determining factor. Take any chord progression with A7 in it and explore substituting B7 for A7.Īdditional alternate fingerings might be possible for selected chords. Today's chord, B7 is a derived chord from An open position D7 indicated as 2020.Īs you can see that are numerous ways to describe a chord, either verbally, Standard Music Notation, TAB, in text, graphically using a Chord Grid, etc. ![]() Using an open position C as an example, we can describe it as 0003 indicating open strings four, three, and two with fret (3) being fingered on string one. The same numbering notation of TAB can be used to describe the open strings and frets to be played when using text only notation or verbal communications. Standard music notation and TAB for C Tuning, Low and High G variations Later on, one develops the ability to determine the location of the chord root(s) or letter name within the chord. Open Position chords typically do not show the location of the root or letter name of the chord as these chords are the first chords a ukulele player learns and are almost entirely learned by shape and sound – hopefully, the chords' name. ![]()
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